Up until about the last two decades we’ve seen very few prominent women teachers.
I think it’s due to a lack of education. Societies in the East, in India and in Tibet, and basically wherever Buddhism grew, were very patriarchal. A patriarchal society limits opportunities for women to study and be independent.
But you have to study, you have to be independent to manifest any kind of realization or understanding. You’ll be wrong to imagine that bodhisattvas just drop down from the skies and automatically arise as women and men or whatever. A lot of hard work is involved in the sense of learning, practicing, and being in retreat. Being independent to experience and accomplish. Women often didn’t get that opportunity, so there were limited numbers.
Fortunately, that seems to be changing. I really think opportunities for education have now really increased for women, and they’re becoming very competitive and learned.
While there are textual sources which don’t make any disparaging remarks or have any kind of a biased outlook towards women, it is actually quite the reverse within the mahamudra and the dzogchen traditions. But you need to view them as literary works of scholars and masters who have their own opinions because they were brought up in that kind of society.
There’s a lot of, “May I not be born as a woman.” It’s a very common statement in some Buddhist prayers, which really shocks people who come to Buddhism thinking it’s all about one truth and unbiased compassion, selflessness, and egolessness. And then they find such discrimination. Women find it very jarring, very disrespectful and discouraging. But you have to understand that these are literary works and interpretations of an individual’s perspective.
I never allowed that to be any kind of a blockage. I have gone to my teachers, especially my father, complaining about it saying, “Look, this is what you all have been writing about women, and how is this not contradictory to just the other day’s teachings that you have been giving?”
And Rinpoche would say that ultimately Dharma is view, and you have to examine it, think about it, you have to mull it over in your own mind, experience it, and then make a decision based upon your own understanding, rather than what somebody is trying to tell you. This advice has been tremendously helpful for me. These days I take it in a relaxed attitude or with some humor, and see it as an individual’s interpretation, rather than necessarily the Buddha’s words.
The day after Lama Lekshe returned from Ashland, she welcomed Peter ‘Daishin’ Renner to the Vicarage (the Lama’s House) in Portland for a two-day visit. Lekshe then accompanied Daishin to Great Vow Zen Monastery, where he attended a ten-day meditation retreat. Peter is from Victoria, British Columbia, and years ago lived for some time at Great Vow. In wandering yogin fashion, they stopped at a roadside pull-out for a picnic on the way.
Lama Lekshe coaxed Peter’s life-story out over a long tea at the Vicarage and thinks we should publish a book! Peter leads two mid-day Sanity Sits for Dekeling on Zoom each week.
Lama Lekshe and Dekeling board member Nan Whitaker-Emrich travelled to Ashland, Oregon, for a teaching retreat with Lama Sarah Harding called, ‘The Other Woman, a Teaching on Sukhasiddhi.’ The dakini Sukhasiddhi was one of two women that transmitted dharma to Khyungpo Naljor, the initiator of the Shangpa Kagyu Lineage. The “Other-Other Woman” was the dakini Niguma. Sukhasiddhi also played an important role in several other lineages. She was the guru of the Padampa Sangye in the Shije (pacification) and Chöd (severance) lineages.
Students at the event also received instruction in the practice Introduction to Mahamudra. This teaching was revealed to Sangye Nyentön (also known as Rigonpa), the 6th of the original “Seven Jewels” of the Shangpa one-to-one lineage.
Lama Sarah, who gave a teaching to the Dekeling community earlier this year, has been studying and practicing Buddhism since 1974, and has been teaching and translating since completing her three-year retreat in 1980.
Lama Lekshe had not seen the Resident Lamas of Kagyu Sukha Choling, Pema and Yeshe, since before Lekshe’s three-year retreat. It was a joyful reunion and Nan and Lekshe were fortunate to have lunch with Lama Sarah. Sandy Pollock—another Dekeling board member— also attended the event.
Snow was predicted on one of the three passes between Portland and Ashland and indeed, on the last day, delayed our return to Portland.
The temple in Ashland:
The Resident Lamas at Kagyu Sukha Chöling, Lama Yeshe Parke (right) and Lama Pema Clark (left):
I recently read that there are more than 140 large scale armed conflicts in the world right now. As the Resident Lama at Dekeling, I am committed to practicing and teaching the principles and practices of peaceful intent and action of body, speech and mind. I acknowledge I am learning, and so have made and will continue to make mistakes. Even so, I commit to not abandoning myself and others in the process of learning to love, and to respect life, and I hope we can do this together, weathering the challenges. I wish us energy and determination.
I openly acknowledge a personal perspective that human beings have a tendency to divide and dominate, causing unimaginable suffering to living beings and thoughtless damage to the earth, air and water. I see my own heart and mind are microcosms of the larger world, and thus I acknowledge my role in constructing systems that perpetuate our harmful tendencies and their effects. And while I see our perplexing tendencies to create harm, at the same time,I also see that we beings have at our core a basic goodness and unlimited potential for wisdom, compassion and peace.
In celebration of 2024’s Lunar New Year, the Dekeling community invites you to join us for an hour of Tonglen, an ancient practice of loving-kindness and compassion. Instructions will be given, and all are welcome. Feel free to invite others. Join us on February 10th from 10-11am Pacific time in this Zoom room.
We dedicate our efforts to the liberation of all living beings—none excepted—with the wish for a new year of opportunity and fruition.
It’s Saturday, December 16th and we are preparing to leave Nepal for a few weeks in Thailand. We’ll jump from 64 degrees to the mid-eighties as we disembark in Chiang Mai—another place saturated in Buddhism. A dharma friend of mine will meet us at the airport and we’ll check into our hotel and then go out for an early breakfast. It’s two short flights to get from here to there, but we’re leaving at 6:30 PM local time and have a 7-hour nighttime transit in Bangkok—so arriving at 7:15 AM.
The time in Kathmandu and the surrounding areas has been rich and educational. After settling in here, we then travelled to Mirik, India, to visit our monastery. Then we drove to Darjeeling, an important city in the northern Indian hills, where tea plantation entrepreneurs escaped the brutal summer heat of the lowlands in the early part of the 19th century. Darjeeling is at about 7,000 feet (about 2,000 feet higher than Kathmandu) and so it was quite cold already.
In a near-miraculous route of return that mostly relied on luck and karma, we made it from Darjeeling back to Kathmandu in one lonnnnnggggg travel day.
The Delhi international airport is modern and it was an easy stay since we didn’t have to leave the terminal. Outside the airport, Delhi has shockingly bad air pollution—with AQI once reaching 550—nearly 200 points worse than when the Pacific Northwest was experiencing dangerous wildfires several years back. This was an important experience, really driving home the cost of letting air pollution get irreparably out of control. It’s hard to image how India could reverse Delhi’s poor air quality, even as it slowly decreases both the quality of life and life span of all of its citizens, including humans and animals.
Just for reference, the AQI in Kathmandu is 72 today—50% better than a few weeks back and in Portland it’s reported to be 23. At 150 in Kathmandu, one is well-advised to wear a mask and I’d say half the population has a chronic deep cough when the AQI is in the 150 range.
Both Nepal and India are fascinating intersections of ancient and modern culture. Of course, both are predominantly Hindu countries, but both are also strongly impacted by Buddhism. I see it in every moment of life here. There is a tenderness and joy that flows freely in everyday interactions, despite the effort required to simply get by here. Down at the stupa, many stray dogs have little coats, fashioned from old sweatshirts and jackets. I don’t know, of course, if the jackets are helpful or not, but it seems clear that they are intended to keep the old street dogs warm as they lay in the sun near the stupa.
We have been at our hotel, Lotus Gems, long enough to know many of the staff by name. Some have shared their stories and all have enriched us by being the very embodiment of kindness and care. This is the second month’s long stint I have been in residence here. I can hardly imagine a nicer, more supportive place to stay. The hotel is run by a Tibetan family and the proceeds from the business are offered to their dharma teacher’s many humanitarian projects. He is here regularly, meeting with people and conducting the business of benefitting beings.
The hotel is at the end of dead end street, and is just a few feet from the entrance to Ven. Thrangu Rinpoche’s old monastery (He built a magnificent new one about an hour outside of town, in the hills near Namo Buddha a few years back. We visited that, too.) My alarm clock has been the 5:30 gong of the monastery, calling the monks to morning services.
Both Julie and I got the usual Kathmandu bronchitis, related mostly to pollution. It’s a deep, persistent and sludgy cough, often accompanied by a mild eye infection. I visited the clinic twice, since mine is complicated by asthma. The CIWEC clinic was founded decades back by a Canadian team, and now includes a hospital wing with a dozen or so beds. At this point, I think all the staff are Nepali.
In Thailand, I’ll be slowing down a bit—taking time to enjoy the warmth and wandering around Old Town and doing some practice in my hotel room. We’ll also meet up with friends and eventually drive 3-4 hours to the northern countryside in Chiang Rai. I am especially happy to return to the small communities of various ethnicities in the mountainous regions. I learned so much last time I was there.
I am almost done lighting lamps here. A couple of emails about folks to remember came later, so I will light those and recite the names of those people when we’re back from Thailand. I am thinking about making an offering at a temple in the jungle for Dekeling community’s many animal friends, too.
On the topic of offerings, I made an offering to our monastery in Mirik and also one to Venerable Bokar Rinpoche’s tulku (incarnation) as well. These offerings were made by our community as a whole—you included. Our offering will be used for daily operations of the monastery and its activity, including education, healthcare, and housing for monks and nuns training under Ven. Khenchen Lodro Donyo Rinpoche. Due to the vision and generosity of Ven. Bokar Rinpoche, many of these same services are also extended to the surrounding community as well.
Travel here is quite different than in the USA. Things are pretty much completely unpredictable. There’s lots of information online, for example, and much of it not even remotely accurate, even on official government websites. Taxis may lack tread on their tires and oomph in their suspension and doors may or may not stay shut. Cultural and language are challenges even when intentions are to be flexible and collaborative. Most objects and most processes are about 70% functional, and to be honest I have come to appreciate ones that are that effective as ‘above the grade.’
So each hour of a 14 or 18 hour travel day must be met with near complete patience, openness, and acceptance. I know if I have to sit and wait for two hours, it’s excellent good fortune to actually have a place to sit. Even more lucky to have a hint of information about what might happen next. It’s a wonderful practice of letting go. When I can do that, things always seem to work out fine, even if quite different than I expected.
I am ducking out to have a bit of lunch at the cafe next door before putting my luggage in storage and hailing a cab to the airport, where the rule is ‘hurry up and wait.’ Still—flying to Thailand certainly beats the other options.
I think of you all every morning as I sit snuggled into many blankets, watching my breath make small clouds on the out breath. Much gratitude for your practice and your regard for each other and all beings.
This is Boudhanath, the neighborhood where I am staying. The photo is borrowed from the internet, because it’s a drone shot. I am three minutes’ walk from the stupa in the center.
This is how the stupa looked when I was walking home last night.
Last year I had the good fortune of staying at a hotel called Hotel Lotus Gems. It’s owned by a local dharma family with deep roots in Dolpo, a region of northern Nepal, close to the Tibet/China border. The proceeds from this hotel go to the humanitarian projects of the family’s Tibetan Dharma teacher.
Last year I was one of a tiny handful of guests at the hotel so there was lots of time to get to know staff. One of the front desk staff is a young man named Karma. He hails from Dolpo, as many of the staff here do. One day, I was admiring a painting on the wall and I asked Karma about it. He said, “It’s a painting of life in Dolpo. My father, Tenzin Norbu painted it.”
A view of Dolpo in Nepal:
Yes, Phoksindu Lake is actually this color. I have seen it:
This could be us in Dolpo:
This year the hotel is full of guests. This morning at breakfast, I can hear French and Chinese guests enjoying morning conversations. But Karma is still here, and in between large groups, we still manage to connect and I am learning more about his life and family. He’s a little shy, so these conversations take time, but I can tell he enjoys sharing about Dolpo, his family and his life. The longer the conversation goes, the faster he talks and the straighter he stands.
Yesterday, he carefully drew a map of how I could get to a place called Caravan Cafe. It’s location included a lot of hints like, “There is a sign that says Dolpo Gallery, which is actually not there, any more…”
So after breakfast I took the small scrap of paper that was the map and went down the stone paved road near the hotel and rounded the corner onto the muddy lane that leads to the stupa. It took a bit of wandering, but finally I found it:
It appears that Cafe Caravan used to be Karma’s father’s gallery. Now his father has moved back to Dolpo and works there again as an artist and leader of some humanitarian projects like schools.
Karma’s father, Tenzin Norbu, was a technical advisor for the film. Tenzin was trained in thangka painting and is in a family lineage of 400 years of thangka (Buddhist scroll painting) artists. But at some point in his life, he met a Frenchman who took him to France and together they visited many museums, gallery’s and other cultural scenes.
It occured to Tenzin that he could step outside the thangka tradition of painting in a very carefully prescribed way of Dharma story telling to create paintings in his own style. And after the long visit in France, he came to feel that his own culture was a kind of art, which could be expressed in the thangka style and so he began to paint everyday life in Dolpo—in the thangka brush style.
Here is Tenzin as a young man, working on a painting:
Here is Tenzin’s painting of a snowy night in Dolpo:
Dolpo can be visited today so that one can see these things for oneself. Tenzin has illustrated children’s books, which you can find online.
The Dolpo people live a Tibetan lifestyle. They have many kinds of herd animals, including yaks. Yaks are especially revered by the Dolpo community becuase they are the most hardy of the herd animals. Not only can they carry heavy loads, but they give milk, which can be made into butter and yogurt. The movie Caravan shows the relationship between the Dolpo people and their yaks.
Last night I was having tea at the Caravan Cafe with a young woman named Sonam Lhamo that I met last year at the gallery where I bought Dekeling’s Green Tara and Chenrezig thangkas. She is college age and hails from a village in the far, far west of Nepal, called Limi. (Limi, she told me, means the people near the river’s border.) Their village is right against the Chinese border.
Sonam is smart and remarkably confident. In her village, the environmental conditions in winter are quite harsh, so even children have to work hard. She told me that their yaks liked to be out in the out-of-doors all winter, so they let them wander. Then in spring and they would go collect their animals and get ready for their time together. Sonam told me a yak in deep snow can survive for up to a month without food or water, unlike the goats and sheep which would die if not close to the village.
This is a yak:
And this is a yak:
And this is a yak with clothes made by people who value their yak-friend:
This is why you see yaks in so many of Tenzin’s paintings:
Sonam Lhamo and I were looking at dozens of prints of his paintings (they make canvas prints here). She got teary-eyed seeing the very life she lived as a child treated as precious art. For two hours she kept pointing out tiny details my eye might have missed. She said these details were all accurate and tell many important stories which are quickly disappearing. Looking at one kind of striped wool bag for storage of grain and salt, she explained to me how these bags were made and how, as a child, she had to twist yak wool threads to make ties for the bags.
Here is Tenzin Norbu working on a large-scale painting which is stretched in the traditional style used for thangka, paintings as well. He works in stone color—a very, very laborious process that involves grinding the stone to make pigment:
Some of Tenzin’s paintings are not about village life. (Or maybe they actually are, now that I think about it.) Such as this one, a traditional mandala, but it’s melting. (At the bottom is an ice cream cone, immortalized.) I don’t know what this painting is about—maybe climate change? Or the change of village culture (melting away?)
A few of them are quite unique and their meaning is lost on me—fodder for future questions to Karma and Sonam.
Dolpo in spring. This is very much how I remember Tibet:
There is a painting here in the hotel of a person standing at Lake Phoksindu, out on a small point of land in the water. In the sky, a dark grey cloud looks like a dragon. There are a few yaks in the lower right hand corer, kicking up their feet and running. Two birds are flying in the sky.
I asked Karma, “What do you think your father was thinking of when he painted this?”
He said, “Well, that cloud is thunder, and I think the person is just standing there, enjoying the thunder. The yaks are startled by it because they don’t know what it is—only that is a a powerful noise, which could indicate some danger, so they are frightened and are running away.”
A whole moment of Dolpo life captured in a snapshot.
This is why I come to Nepal. I am not as much interested in sightseeing as I am in seeing into the stories and lives of ordinary people. I would rather follow one good story like this over a few years, in multiple conversations with multiple people than I would visit the great ‘modern wonders’ of the world.
I also enjoy giving a listening ear to those whose voices have not really been heard. Especially to young people who can come to value their own culture and past by telling the stories they have lived. I appreciate their openness and their generosity in sharing these stories and the beautiful details of their lives, which are slipping away moment by moment. I also enjoy hearing about how they are navigating the rapid changes that are happening to them as electricity and roads and so-called ‘improvements’ reach their homeland.
It’s early in the morning—frosty and dark outside—and such a good time of year to turn inward. Off in the distance I hear jets at the airport warming their engines. I am aware of the good fortune of a safe and comfortable home.
Thank you for your efforts and your altruistic intentions in 2023—they are bearing such good fruit. In just a few short years so many of you have developed a steady shamatha practice and are now beginning to integrate insight mediation. Some have also connected to regular Green Tara or Medicine Buddha practice and inside that, have nurtured friendships and lively support for each other. Our Lojong study and practice is friendly and flourishing.
I see the dawning of an experiential understanding that practicing in the Vajrayana is a gradual process that will necessarily span years of more or less continuous effort and investment. Little by little I see you letting go of society’s demand that we should measure and judge practice and ourselves as we do our secular endeavors: let us not succumb to that. I delight in watching you act on the understanding that the challenges of our lives are not obstacles to practice but form the basis of the path itself. As you practice in that way, I see you responding more and more with patience, humor, and grace in all kinds of demanding situations. What a good sign!
Slowly, slowly, personal connections are forming among community members. To those of you who are such good shepherds of that, thank you for adding joy and stability to our community.
In 2023, many of you were able to take days or even weeks off to do retreat. I know it takes effort and determination to make this happen. Thank you, and your significant others, too. And thank you to our teachers and benefactors. In these challenging times, strong and compassionate hearts are medicine for the world. Thank you for your abiding presence as fellow travelers on the path of wisdom and compassion.
With sincere gratitude for our continued connection, and for your goodness,
Today, after our tonglen practice, I accidentally found myself at Woodlawn Farmers’ Market. I meant to get coffee and a roll at the bakery, but I saw the market was open and I decided to go there instead, because I was hungry and had some cash in my pocket because last week was my birthday.
I walked around the perimeter of the market, looking to see what was there today. Apples— good apples fresh from a field somewhere, not the kind that have been prisoners in a dark refrigerated commercial storage unit since last fall. And there were all kinds of root vegetables. and colorful buckets of dahlias. There was coffee and tortillas and sweets.
I stopped at the first booth nearest the street. I used to have a market vendor stall, and I remember claiming that space as I aged because it was nearest the loading and unloading zone. That’s what you do if you know you’re going to be tired when the market is over, and especially if you are working alone or it’s raining.
The man did look tired. And to be truthful, his vegetables looked tired, too. But they were honest.. they had the scars of a garden with no pesticides and they were shaped in such a way as to make me think they got watered on a variable and somewhat unreliable schedule. That seemed perfect. Simple and real food from a simple and real neighbor.
So I gathered up vegetables in the way that I do—no idea what I am going to cook. I got apples, and a bunch of stunted kale, 3 potatoes, some pickled beets, and a few other things. Quite a few.
While the man was packing up the vegetables, I noticed that every knuckle joint on his hands was enlarged. His skin was dried from continuous exposure to the sun. I said, “It’s hard work, isn’t it, growing vegetables?” He sighed heavily and and shook his head slowly in agreement. He responded but his voice was so soft I could barely hear. I realized he possibly did not speak much English—or just not with confidence. His front teeth had old-style gold fillings. His clothes were all the color you get when you wash all the clothes in the same load. His skin and his clothes were the same light brown.
I said, “I am getting old and and I can’t really garden any more.” He looked at me as he put vegetables into a bag and said, “I am also old now. I am 75.” I said, “You don’t look 75, you look 60 and he smiled shyly and said, “Actually I am a boy. I am 16.” We both laughed. And for just one moment his eyes sparkled and his back straightened a little and he looked a tiny bit more alive before he sunk back into the soft posture of a man who has carried too much for too long.
I said, “I appreciate these vegetables. I appreciate your work. Your hard work.” and he looked and me and didn’t say anything, but handed me the bag. I saw him carefully smooth the dollar bills and put them into his pocket.
I looked around a little more and then decided to go home. As I passed his stall, I looked him in the eye and said, “OK. See you next week.” He tilted his head and smiled the smallest of smiles and then looked down at the table in front of him. What I meant was, “I see you. I feel you, and I know we are connected. I love you.”
I walked across the street and put my bags into the car, got in the front seat and put my head on the steering wheel and cried a little before turning the key. When I have been practicing, I see that we are all so beautiful. We are all tired and alive and old and young. The only food I want to eat is the food that sustains someone else. The only things I want to buy are those that put money in the pockets of those who are poor.
Diane Berger is a senior Buddhist practitioner in Seattle, with a fascinating life story. It’s our good fortune that she’s also a writer. This book details her time in a solo three-plus year long retreat, guided by her teacher, the esteemed Tibetan master, Kilung Rinpoche. Diane is smart, direct and full of mischievous joy. I’ll be taking AmTrack up to see her in fall and hope to convince her to join us for a Zoom talk in our 2024 series of visiting teacher/practitioner talks. Tricycle magazine reviews her book here. Have a look!
This video is wonderful. My lama-friend from Seattle, Diane Berger, is in it briefly and was a part of the project.
It is the story about a small project to build a bridge across a river so that local Tibetan nomads could cross the river safely four times a year, to move their yaks, sheep and people to new grazing areas. Before the bridge was there, lives were often lost in the crossings. The bridge was completed in 2004.
